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Cake day: June 19th, 2024

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  • More than I realized. As a kid, my favorite of the original trilogy was ROTJ. It had everything - an opening where the heroes got vengeance on a big slug, there was a dramatic-looking Death Star, speeder bikes, and force lightning.

    My father told me (years later), how much some folks hated it for some of the same things. Rehashing the Death Star, Han accidentally killing Boba Fett (this hyped up bounty hunter that in the previous movie was clever and even mouthed off to Vader himself), Ewoks being cuddly teddy bears with janky traps, Leia being yet another Skywalker out of nowhere…basically, a lot of the same goofy shit people railed on George for in the prequels (myself included: since these conversations with my dad came up because I was a teenager complaining about Jar Jar, Yoda ping ponging around, etc.).

    Later I saw that plenty of folks complained about ESB being moodier, the “No, I am your father” being a twist out of nowhere and dramatically undermining Obi-Wan’s character by his being dishonest. Some of the same “canon-breaking” retcons that we all complain about today.

    Granted…I still love ROTJ despite its flaws, and while I never enjoyed the prequels as much as a lot of folks, I find them endearing in an odd kind of way. The Sequel Trilogy less so, but there’s a few bright spots.

    Basically, I wonder what the reception of the movies would have been if we had the internet then, and especially if we had engagement-based algorithms driving things, which does such a great job of amplifying hate.


  • To add to this, there’s a great section in Man Without a Country by Vonnegut where he talks about his approach to humor, and he mentions the time he was in Dresden during WW2 as a prisoner of war, while it was being bombed.

    True enough, there are such things as laughless jokes, what Freud called gallows humor. There are real-life situations so hopeless that no relief is imaginable.

    While we were being bombed in Dresden, sitting in a cellar with our arms over our heads in case the ceiling fell, one soldier said as though he were a duchess in a mansion on a cold and rainy night, “I wonder what the poor people are doing tonight.” Nobody laughed, but we were still all glad he said it. At least we were still alive! He proved it.

    A bigger part of the section here: https://www.kcrw.com/culture/shows/bookworm/kurt-vonnegut-1/excerpt-from-a-man-without-a-country


  • No, my entire point is that they are the ones that showed up: hence why we have a more authoritarian president than perhaps ever before. Between the 2020 election and the 2024 election, the raw numbers of votes dropped for the Democrats, not the Republicans. This whole discussion has been about bleeding support from (some) of the Left.

    And yes, this is because Harris and the rest of the DNC shit the bed. That they went too hard toward the right is certainly a factor: and again, to be clear,I’m not saying it’s a good idea to move right. What I’m trying to get across is that abstaining is often indistinguishable from wanting a more right-leaning candidate, because then that’s the candidate that wins.

    If it was up to me, see my volcano comment. If we want revolutionary change in the USA, I know which party I’d rather fight in the streets against.



  • Unfortunately, over decades they’ve learned who are reliable voting blocks. Not participating communicates that one sees both options as functionally the same. So if anything, it encourages then to move to the right, which is a reliable voting block.

    I’m not at all gleeful about voting for them, and desperately want other options. I’m doing what I can to build parallel structures, engage in mutual aid, and in my day job I’m fighting climate change as an environmental research scientist. Unfortunately, we don’t live in the best of all possible worlds, and the tracks of the trolley don’t change overnight.



  • Yeah, a lot of evangelical churches make it abundantly clear that as long as you love Jesus, you can be a giant piece of shit otherwise and still get into heaven.

    As a kid I appreciated that line of thinking because I thought it allowed us to strive for better, accept that we’re all flawed, but still understand we’re all worthy of love.

    Instead, as I was a teenager watching these same folks froth at the mouth and cheer for blood in Afghanistan and Iraq, I realized it was a way to reconcile any damn horrible thing they wanted to do. A cloak for depravity and hate.




  • Thanks for a thorough reply, there’s a lot to tackle, so apologies that I’m not responding to everything in it. You make good points, but it’s clear we have fundamentally different perspectives on this.

    I’m not that sure about permission being important in art would led to coherent definition. How could art know if it had permission to be made or not?

    I tried to be explicit that permission is not required to make art - because I want to disentangle the two arguments. One of the biggest contentions I have with AI gen stuff is the ethics involved. No ethical consumption under capitalism, so I get arguments that the paint brushes I have were produced unethically to some degree, so pot meet kettle, but I think there’s degrees we can find some nuance in. But I don’t think it’s useful, either, to just shrug and toss the ethics aside. It must be acknowledged, and grappled with.

    As for the rest of your comment about the artist copying preexisting emotions, tapping into things that are already there - or the infinite monkeys thing - I do think some amount of intentionality is required to call something art. That said, we all create derivative works to a degree: that’s just impossible to avoid. We’re only human, and we filter our environments through our brains and experiences, and that allows some unique (but again, derivative to a degree) works. If you ask ten people to paint a scary lion, we’re all drawing on some shared fear, and maybe a single photograph of a lion, but you’ll get different works as a result. The art, for me, is the product of the creative process. Art requires intentional action, IMHO. It’s a more narrow definition than yours, but I think being overbroad makes the word meaningless, and indistinguishable from…beauty, or (to include grotesque images, or other emotions), simply aesthetics. AI tools can make beautiful images, but this all circles back to my initial point (with some modified wording): aesthetics are not inherently art, art is not just aesthetic. If we get to AGI, I’ll buy the things it creates as being art. For now, it’s really impressive math. Doesn’t undermine the beauty in it, but it’s something different.

    Again, this is my personal opinion. In my science career I’m more of a lumper than a splitter - when talking about evolution, you can “lump” together groups into species, or “split” them into subspecies (really for any clade). So I get your impulse to be open and not gatekeep. I’m not trying to gatekeep, but I do think there is utility in defining things. I don’t like splitting species, but there are differences in crocodiles and alligators. We can’t just lump them into one species - but they are related by broader terms. In this case, I think you’re talking about aesthetics, and not art. Just my personal opinion, and not making a value judgement any more than calling an alligator an alligator, and not a crocodile. They’re different things, and yes: species that look nearly identical but are genetically distinct qualify as different species. The way something beautiful is made matters. IMHO


  • You’re arguing with a version of me that you’ve created in your head, because nowhere did I say anything about AI art. You’re also again misunderstanding my point - and misunderstanding what creativity is. “Representative art” requires creativity, because a mountain is not two dimensional. Taking a photograph requires decision-making. Even once you’ve taken a pretty picture, though, loop back to my first point - beauty alone is not art.

    Again, you’re arguing with a version of me that you’ve created in your head: yes, we use tools to make art. People use spellcheck when writing a play, people use knives when making woodcuts, we use ovens to blow glass. However, if I - without permission - take a photo of my neighbor’s watercolor and print it on T-shirts, do you think I created a work of art? That much is at least arguable. There’s expression, there’s creativity, and it could be aesthetically pleasing in the end. However, one of the main contentions people have with AI gen…do you find it ethical?

    Pay close attention to what I’m saying here, please. You’ve been trampling on nuance, so don’t put words in my mouth. I’m not throwing the baby out with the bathwater. I’m a scientist that kind of works in tech, and I have a lot of creative pursuits outside of my day job. I think there’s a lot of potential to LLMs and other tools out there, but I think we need to pay careful attention to ethics, and I do think words have meaning, even if definitions drift, and even when we’re talking about challenging subjects.

    Keep trying really. It’s interesting seeing some people realize how in all human history we have been unable to came up with a united and universal definition of art. It is probably one of the most vague concepts we have as humans.

    I’m glad we agree on something! Yes, the definition of art hard to pin down. Subjectivity is the name of the game. I loathe a lot of modern art, because I think it’s disappeared up it’s own asshole, as Vonnegut would say. It’s strange though, because you seem to be certain that your definition of art is universally correct. Again, my initial point - you’re conflating beauty with art, because you claim a mountain itself is art. I think a mountain is beauty, and there’s beauty in our scientific understanding of why it looks like it does. But I don’t think that qualifies as art.

    And of course pushing politics in the definition (we all know this is truly about politics, there is not facade here) is the oldest trick in the book.

    What politics do you think I’m pushing? How do you think whatever politics you are pushing have impacted your view of what defines art?



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